In Memoriam Thank you for the journey, Roger Ebert


After Hours

For Roger Ebert, After Hours demonstrates the elusive notion of "pure filmmaking", an exercise in all style and no substance: "It lacks, as nearly as I can determine, a lesson or message.


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"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity. It is "The Perils of Pauline" told boldly and well. Critics have called it "Kafkaesque" almost as a reflex, but that is a descriptive.


Film critic Roger Ebert dies at 70 Polygon

After Hours is a caffeinated black comedy with an emphasis on speed. With a small crew and a tight shooting schedule, Scorsese transformed limited means into a staccato burst of creative energy, playing up the extreme paranoia and frustration of a data processor stranded in Soho. By Scott Tobias FULL REVIEW. 80.


Critic hits Ebert with program at screening

Metascore. Based on 8 critic reviews provided by Metacritic.com. 100. Chicago Sun-Times Roger Ebert. After Hours is a brilliant film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero.


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Paramount had just pulled the plug on his production of " The Last Temptation of Christ ," which put him into a deep depression. At the same time, producers Griffin Dunne and Amy Robinson had this weird, goofy script (originally titled "Lies") by screenwriter Joseph Minion about a guy having the worst night of his life.


In Memoriam Thank you for the journey, Roger Ebert

0:00 Intro1:23 The Falcon & The Snowman3:46 Lost in America6:16 After Hours8:25 Prizzi's Honor11:40 The Purple Rose of Cario13:41 The Color Purple15:50 Shoah.


After Hours YouTube

Best of 1985. March 1, 2019 firstmagnitude 4762 Views 1 Comment 1985 , After Hours , Back to the Future , Blood Simple , Lost in America , Mad Max Beyond Thunderdome , Mishima , Prizzi's Honor , Ran , Shoah , Streetwise , The Color Purple , The Falcon and the Snowman , The Official Story , The Purple Rose of Cairo , Witness.


After hours Rio de Janeiro, Brazil. January 2010 Carlos Ebert Flickr

After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry.. Film critic Roger Ebert gave After Hours a positive review and a rating of four out of four stars. He praised the film as one of the year's best and said it "continues.


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"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity.. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his.


The Source After Hours schui.tv

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"After Hours" is, first and foremost, a blast.. As Roger Ebert accurately wrote, the film is masterful for its "disorienting camera angles and unconventional use of focus." I wanted to.


After Hours YouTube

Peculiar, that entering the lives of two women obsessed with burns, he wanted have his own burn story, but coincidence and synchronicity are the engines of the plan. "After Hours" could be called a "hypertext" film, in who disparate elements of to plot are associated in an occult way. Within "After Hours," such elements while a suicide, a.


In The Mouth Of Dorkness Brad's Week in Dork! (6/2/136/8/13)

After Hours: Directed by Martin Scorsese. With Griffin Dunne, Rosanna Arquette, Verna Bloom, Tommy Chong. An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho he met that evening at a coffee shop.


After Hours Films

Roger Ebert, RogerEbert.com "After Hours" could be called a "hypertext" film, in which disparate elements of the plot are associated in an occult way. In "After Hours," such elements.


After Hours (1985)

Roger Ebert was an early big fan, but many critics didn't seem to grasp After Hours' indulgence of screwball paranoia as a snapshot of the times, and a statement on social dislocation.


RIP Roger Ebert Movie criticism's Great Communicator

Cinematography. Editing. Short film. Please enter a payment description. June 18, 2022 'After Hours' was like an independent film. It was shorter and cheaper. I just wanted to see if I still had the energy to shoot quickly. There's a certain passion that you have to have to make 'Mean Streets' or 'Taxi Driver' and 'Raging Bull.'.